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Late that night, Nick wakes and prepares to unscrew the grate to his room. The bolts are rusted shut, and he makes almost no headway in two hours. Mya, who has been waiting in the tunnels for hours, checks on Nick and makes a plan. She returns with oil and a pipe to add leverage and soon has the bolts unscrewed. Nick and Mya escape with little time to spare. Nick stays behind to watch the discovery of their absence through the peepholes. Bukong sounds the alarm, and the Colonel arrives promptly and begins to form a search party. The Colonel then beats Bukong with his own cane: “‘I blame you for this,’ the Colonel said, hitting him on top of the shoulder. Bukong fell to his knees. Nick shuddered. He knew how that cane felt” (186). Nick watches as Bukong and the Colonel realize that Mya must have helped Nick gather supplies. Bukong's face falls when he realizes his bride has disappeared.
Nick listens to the goings-on of the house for weeks after his escape. The Colonel is vigilant, insisting they will find the missing children. It shocks everyone, even Hilltop, how long he searches for them. Later, Bukong and Magwe sit at a table, discussing which mahouts will move to the railroad. Magwe is defiant, wondering how his brother can remain loyal to the Japanese after their enslavement of the Burmese people. Bukong stays firm. Soon after, an officer reports a soldier gored by an elephant. Witnesses claim it happened on purpose and that Magwe instructed the elephant to attack. When he is called in, Magwe is defiant once more: “I should not be treated differently than the other mahouts” (192). That night at dinner, Nick hears an officer talk about his father, who is so ill he has been put on light duty. He doesn't seem likely to recover from a recent illness. Nick is devastated and throws the listening cone, but he must keep himself together when he notices Bukong watching the wall where he stands, waiting for another sound to clue him in to the whereabouts of the children.
Nick waits for Mya to return from eavesdropping on the kitchen staff and reveals what he learned about his father. He asks Mya how far his father is on elephant-back—Mya isn't sure the location, so the pair make a daring move and go into the library, where Nick shows Mya on the wall map of Burma. Mya feels uncomfortable in the library, thinking: “The room had always been a place of power, a place where fates were decided under the British and now under the Japanese” (199). While in the library, Nick makes an impulsive decision to look for more information about his father on the Colonel's desk and in the safe. Inside the old cigar box where he kept his toy soldiers, Nick finds letters from his mother from the past ten months. He returns to the secret passageway to read them and begins to cry reading her pleas to find him. He learns she has been moved to an embassy in Calcutta with Bernard. Nick feels a renewed sense of courage at the thoughts of his mother and memories of his father: “[H]e remembered what his father had said on Freestone Island about the Sergeant Major's heart beating in their chests. Nick could feel it” (205).
These chapters continue to develop the disillusionment of the Burmese with their new Japanese leaders. Magwe, once a steadfast symbol of the rebellion, is skeptical when the Japanese begin threatening the comfort of his mahouts and their connections to their families. Magwe is treated differently by the Colonel, but he insists upon aligning himself with his people and not the colonial powers he fought to remove from Burma. Family and inheritance also return in this section, as Nick reads letters from his mother that he finds hidden in the safe in the library. Nick is simultaneously furious and devastated at his mother’s pain and uplifted by the memory of her love for him. Though family does cause Nick pain, the love he feels for his mother and father—and his desire to get back to them—help lead him to safety. Without the reminder of his own strength, and the strength of the people who raised him, Nick would not have had such drive to overcome his captors. The “Freestone blood” which gives him a hot temper also pushes him toward acts of great moral character, bravery, and strength.
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By Roland Smith